Nick / Mister Photon Media:
A well-equipped sound recordist for any video,
film or television production
1 (720) 299-2084
Hiring a sound person well equipped and experienced ensures your production moves smoothly, instead of stopping. Me having more than one audio component as well, in wireless, shotguns, mixers among other gear, ensures a back-up or allows the sound person to scale up the size of the production when the need arises.
Along with the gear for specific cameras from various makers, I also have the experience with higher end cameras as well having the accessories.
Wireless Microphones / Lavalieres
All my wireless are UHF frequencies.
- Lectrosonics LMA/UCR 100 (2 pairs)
- Lectrosonics UCR 211 (2 pairs) 100 mw
- Lectrosonics UCR 411a (2 pairs) 100 mw
- Lectrosonics UCR 411 MM series (2 pairs) 100 mw
- Lectrosonics SMa (2) 100 mw
- Sennheiser SKP 500 lavalieres (4 pairs)
- Sennheiser SK 2000 lavalieres (2 pairs) (100 MW power)
- Sennheiser EW G3 lavalieres (4 pairs)
- Sennheiser AVX100 (4) 100 MW power 1.8+ ghz. The best choice for wireless due to minimal frequency crowding.
Wireless mic heads include:
- 4 Countryman B6,
- 4 Countryman B3,
- 4 Sony ECM 77,
- two Tram TR 50,
- Various Lectrosonics M150 & 152 heads,
- Sennheiser ME mic heads.
Shotgun Microphones
Sennheiser & Shotgun Microphones
- MKH 60
- MKH 416
- MKH 816
- ME 66
- ME 80
- ME62
- Saramonic DSLR Mic (2)
- Neumann KMR81IMT long shotgun
- 2 Saramonic DSLR on camera shotguns
- Simorr DSLR on camera mic (great for Gimbal support)
- K-Tek boom poles & shotgun microphone suspension mounts
- Wind Jammers
Sound Mixers & Recorders for Video, Television, Film
- Sound Devices Mix Pre-10 ENG/EFP audio mixer & recorder
- Sound Devices 664 Mixer Recorder with 6 dedicated XLR inputs, with other inputs as well. I use this the most out of my mixer/recorders.
- Tascam HS-P82 Mixer Recorder – Having 8 dedicated split inputs, this is a very high-end digital audio recorder / mixer for ENG, EFP, film or video production. The S/N ratio makes you feel like you are in a sound booth and not a noisy environment with AC, among other sounds. Filtering and mixing up to 10 tracks with EQ. With time code embedded from a device or to slave several devices like several different cameras or other I/O recorders.
- Sound Devices 552 ENG/EFP audio mixer & recorder with 2 channel recording.
Call me on a pre-production meeting and we can discuss your needs of a production sound mixer. 1 (720) 299-2084
Additional Mixers & Portable Recorders
- Marantz 660 – a digital flash recorder – records to PCM or MP3 formats. This can also be used to recorded time code format MP3 files or WAV format. This can be used as a primary or backup recorder, however the list above is a better choice for versatility.
- Tascam DR100 Mark II – A very versatile portable & capable mixer for 2-4 track recording. I can record wav or MP3 format files with higher sampling rates, as well WAV. Including with time code with adapters. This recorder can be used as a primary or backup recorder, however the list above is a better choice for versatility. This smaller recorder works well for moving audio sources or vehicles that the sound technician may not be able to fit into or be nearby. I have used larger mixers in cards as well for car scenes.
- PSC AlphaMix – a 4 channel ENG/EFP audio mixer with several outputs.
- Mackie 1404 & 1202 VLZ sound mixers with 8 inputs, EQ among other features. If you are sitting a place with power and need more control over EQ and gain, this would be the ticket.
Additional Equipment
- Lighting Grip and Camera Support Gear
- Breakaway cables.
- XLR cables.
- BNC cables.
- Camera Specific Cables (RED, ALEXA, Arri, XLR, DSLR among other cables for specific make/model cameras.
- Time code connectors including Lemo connectors for RED, Arri, BNC, Tentacle, Sound Devices, Lemo including 4 pin and 5 pin along with specific experience with these cameras.
- Time Code Slate
- Camera Audio Cables for Arri Alexa (all), RED (all), DSLR, XLR, TA3F, among other connections.
- Tentacle sync lock-it boxes with camera varied cables.
- Clap Slates & Time Code Slates for film, DSLR or video production.
- BNC to XLR connectors,
- Barrels XLR M/F or F/M.
- 1/4 inch adapters.
- Ground Lifting Barrels.
- BNC Barrels.
- High Pass & low pass filters, & other sound utility pieces.
- 1/4 to XLR.
- 1/8 Mini to XLR.
- SoundTrack Pro, Sound Forge, Pro Tools, Final Cut Studio, among other audio & video editing tools with laptop.
- Card Readers in USB as well MacBook Pro Thunderbolt.
- Laptops – please discuss this advance so I would bring one.
- Android slate.
- Barrel High Pass filters.
Major Market Proximity
Nick: I’m located near the Denver & near many metro areas. Many of the major production areas including:
- Greater Denver,
- Colorado Springs,
- Boulder,
- Aurora,
- Englewood,
- Greenwood Village,
- Sheridan,
- Lone Tree,
- Lakewood,
- Centennial,
- Broomfield,
- Thornton,
- Northglenn,
- Fort Collins,
- Lafayette,
- Louisville,
- Littleton,
- Highlands Ranch,
- Parker,
- Commerce City can be reached by me in an hour or less for rates.
Other popular areas include:
- Central City,
- Black Hawk,
- Vail,
- Cripple Creek,
- Breckenridge,
- Silver Thorne,
- Dillon,
- Telluride,
- Durango,
- Aspen
- Crested Butte Colorado
Being the most common areas for production with local personnel. If I am already booked, I can assist in locating you sound people with comparable audio gear, and experience based on my referral system. As I’ve been an audio tech (production sound mixer) for decades, including in the freelance capacity.
Call on my years evolving from the days of film production to broadcast television, along with the audio gear popular at the time, to today’s location sound technology.
Contact Nick Teti by telephone at 1 (720) 299-2084 or use my contact page.
For these services or other resources referred & provided in Colorado for video, film or television production.
Skype: Nick Teti or misterphotonmedia in Colorado
Video, Film and Television Samples
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